makyo

“Makyo? Can you hear me?”

She nodded blearily. “Yeah.”

“Alright, good.” A scratch of a pen on paper.

“Where am I?”

“You're in a Centcomm cloning facility, fresh out of the pod,” came the voice, gentle and reassuring. “Have you ever been been through metempsychosis before?”

“No.”

“Alright. There may be some disorientation. That's normal. Everything went well. Species, surgeries, implants, all there.”

Makyo nodded and levered her eyes open struggled to focus, then lifted a paw to rub them clear.

Or tried to. Ten centimeters up and the motion was rudely interrupted with a soft clank.

Ah. Yes. That.

“I'm sorry, Makyo,” the voice said again, now far more apologetic. “You'll have to remain cuffed. I'll get a rag and help wash your face.

She nodded and remained silent. The nurse didn't notice or neglected to comment on the tears.


The arrival station-side was just shy of normal. There had been the briefest moment of that bone-aching chill of cryosleep, dissipated in seconds. There had been a moment of orienting herself, of figuring out which way was station-north. There had been the squinting of the eyes against the overbright fluorescents and the shining of snow outside, also quickly adapted to. Grow up in the tundra, and you just kind of get used to adapting to snow-blindness.

There was the homey cold of the Glacier-class station.

There was the soft chatter of voices.

But there, too, was a buzzing pain behind Makyo's right eye. That was new.

There was a chemist today — a frightfully competent one, at that — so she'd beg a soretizone off them. There were perks to working in med.

Close as it was to the biome where she'd grown up, Glacier was too cold even for Makyo's thick coat. The Arctic of her homeworld was cold, to be sure, but this was dangerously so. No arctic fox (as the humans had taken to calling her) could survive without a coat when even the adapted penguins would succumb before long.

She stuck to the main building instead, padding on past the head of personnel's office with a wave to Ian within. She got a goofy corgi smile in return. At botany, she grabbed a few apples off the counter to stuff in her bag. At med, she was greeted by a staff meeting with the chief medical officer currently handing out assignments. The doctor she'd worked with before, the other surgeon she knew outclassed her, and the CMO she knew well enough, but the paramedic was new to her.

“Hey, uh...” she started, squinting at the genet's nametag. “God, I'm going to butcher this...”

“Lleuad,” the paramedic said, smiling. It sounded far more complicated than the spelling implied, with a hushed, almost hissing sound where the manifest showed 'Ll'. “You're Makyo? The surgeon?”

“Yeah,” she said, bowing. She was pleased to see a bow in turn, rather than a heel-click and a salute. She got enough of that when she worked corpsman. “First time seeing you around, figured I'd at least say hi.

Lleuad nodded. “Nice to meet you, Makyo.”


“Makyo?”

She startled awake and lifted her head. There wasn't much to do when one was cuffed to the bed other than nap, though she was promised she'd be let out once a proper officer arrived.

“Oh! Slow Hours. I didn't realize you were here.” She smiled weakly, adding, “Or that they'd let me have any visitors.”

Slow Hours was a rodentia of sorts — a skunk, she'd been told — and thus more than a head shorter than her, but even so, she looked somewhat diminished from the studious and kind friend she'd been in class.

“Yes. I talked my way in on my credentials,” the skunk said. “I am not strictly on duty, but my word as CMO carries at least a little weight, so long as we are still in an NT medbay.”

“They haven't stuffed me in prison, yet? This all just looks like a hospital to me.”

“Not yet, no. Tomorrow, they say.”

“Oh.”

Slow Hours bowed her head, staying silent for a long moment. When she spoke, her voice was almost too soft to hear. “Makyo, what happened?”

Makyo pushed herself up to sitting as best she could. “A shitload. Where should I start?”

“Lleuad said she met you, but couldn't tell me much more about the shift. She is...not well. She said the shift was just...normal. Calm.”

“Yeah, it really was. I left my kit in the autoclave and never needed to take it out. Mostly I just talked with folks.” She smiled at the memory. “Just chatting. It was almost cozy. Bitch about work, laugh about the mail, fuss about doctors. Lleuad's really nice. Gave off a lot of familiar vibes so I just sort of palled around with her and Corvus.”

At this, Slow Hours looked away.


The pain responded well to the soretizone. After the staff meeting concluded, the shift settled into boredom. There was little to do, and better that than the opposite, when it came to working medical.

It was almost boring

The chemist had already made chloral, but Makyo always found it lacking as an anaesthetic, so, for lack of anything else to do, she nudged Lleuad and Vitalis, the other surgeon, during a moment's quiet. “Hey, want to head up to engi with me? Last shift must've left in a rush and took the nitrous tank with them.”

The paramed brightened. “Oh! Sure.”

Back up north, then. Back past the HoP's office, with another wave to Ian. Back up towards the bridge and engineering.

After a quick call on the radio, a skunk met them at the door, a large gas tank tucked under one cybernetic arm. Their demeanor was quiet, self-contained, and the familiarity of the species to that of her co-resident back at school, Slow Hours, gave plenty of opening for conversation.

Unfortunately, the headache chose that moment in particular to return, and with a vengeance. Makyo squinted her right eye shut and stifled a hiss of pain.

“You okay...?” Lleuad asked. The genet seemed to swim in her vision, the vulp's eyes watering with tears.

“Uh... Yeah. Sorry,” Makyo said doing get best to laugh it off as the spike of pain faded. “Been fighting a headache. Guess the soretizone wore off.”

Corvus furrowed their brow. “I would offer you another, but I'm about out, myself.”

She laughed — more earnestly, this time — and waved a paw. “Willow made some for me. Can probably pick you up a refill, if you want.”


“The way you put it makes it sound almost quotidian.”

Makyo snorted. “There's a word I don't hear often. But yeah, other than the headache, it really was just a normal day.”

Slow Hours nodded slowly. “Tell me about the headache, then.”

“It was almost a textbook migraine, like a hot wire going– oop.” The handcuff once more caught her short in the middle of a gesture. Both of them grimaced. “Like a hot wire going through my head just behind my eye. Painkillers helped, but it would still spike.”

“Any pattern to it?”

“Oh, yeah. Every time I would talk to Corvus.”

The skunk stiffened in her seat. “Just them?”

“Just them.” Makyo smiled wryly. “It's been on my mind ever since. Corvus was great. I was so glad to hear them on the radio even after... Well, even after everything. I don't get it, though. Why them?”


Apparently, the shift was quiet for everyone, as Corvus followed Makyo and Lleuad back to the medbay, explaining that the TEG was running fine and solars were all set up.

They each found a comfy spot — Makyo leaned against the desk, Lleuad parked herself before the crew monitor, and Corvus lay across two chairs set next to each other, tail dangling down beneath them.

“How did you both come to work in the Delta sector?” Makyo asked at one point.

“I work for NT to finish paying off my limbs,” Corvus said. “There was an accident when I was young — I don't really want to go into it — but at least I have these, now.”

Both Makyo and Lleuad leaned in closer to get a better look at the skunk's arm as they rolled up their sleeve. While no longer quite top of the line, it was still a respectable work of cybernetics. Makyo couldn't even begin to guess how much it must have cost.

“NT just shipped me out here for a while. Other than the occasional glimmer problem and the two assassination attempts–”

D-A-G-D-B-D.

Makyo blinked away yet more watering from her right eye. D-A-G-D-B-D? Now how did she know that?

“–it's been alright. How about you?”

“Oh, I followed a classmate of mine, Slow Hours. She works chem and CMO out here. Short. Rodentia. Skunk like you, maybe.”

Corvus nodded.

“She was one of my introductions to the sector, too,” Lleuad said, her gaze never leaving Corvus, eyes wide. “But you can't just leave is hanging at “assassination attempts”. You mean someone tried to kill you? More than once?”

“Two people tried to kill me, once each. Syndicate, maybe,” the skunk said with a faint smile. “Neither succeeded, I'm happy to say.”

The pressure in Makyo's head grew and she excused herself to go wash her face in the surgery suite. D-A-G-D-B-D...a PDA ringtone?


“And you do not remember anything about bringing a gun?”

Makyo shook her head, avoiding Slow Hours's searching gaze. “I went to wash my face and try to clear the dizziness, and I guess kind of blacked out. Next time I looked in my bag, there was a bottle of nocturine — I'd know that stuff anywhere from combat surgery — a pen that doubled as a hypospray, and a pistol.”

“I cannot imagine how that will look to the Galpol investigator when they finally show up. You blacked out and woke up with a gun?”

She rolled her eyes. “Don't I know it. I just remember going to wash my face and then suddenly standing back in medbay, grinning at some joke Lleuad had told. No clue what it was, though. It's like that bit of memory was just cut away with a pair of scissors.”

The skunk frowned. “I suppose it is a good thing that you did not have any surgeries that day, if you were blacking out.”

“Oh, more than that.”


“Whoa! Makyo!” Lleuad said, scrambling to the vulp's side. “Are you alright?”

Keeping her right eye closed against the light, she laughed nervously. She felt shaken, as though some truer version of herself were rattling around in this ill-fitting existence.

“Uh...yeah, I guess so. My leg just gave out or something. All pins and needles like it fell asleep.”

Lleuad got her arm around Makyo's back and helped lift her back to her feet. All that paramedic training came in handy when lifting tall vulpkanin. “Well, alright. Make sure you get that checked out, okay? I doubt we have the resources here. Besides–”

An announcement interrupted, blaring over the intercoms. Meteor impacts possible, report structural damage. Before the automated message even had a chance to finish playing, there was a dull boom from the direction of the bar.

Corvus only sighed and pushed themself slowly to their feet. They pulled two prescription bottles from their bag and took a pill from one, frowning at the other apparently empty. They stepped around the desk to pass it through the chemistry windoor to Willow, the chemist, getting an affable chitter from the moth in turn.

“I have to go fix north solars, apparently. Can you call when the prescription is ready?”

There was a quiet murmur from the other side of the windoor.

“Oh, no, it's not that urgent. I'll be back in a few, anyway.”

Another murmur.

Corvus waved and trudged out of the medbay to get to work.

“So you know Slow Hours, then?” Lleuad asked, trying to nudge the conversation back into motion.

Makyo nodded. “When Nanotrasen finally signed that deal with the surgeons' union, she went through a course as part of her CMO certification. I was studying near Sol and I guess she lives around there, so we did our residency together.”

“She's nice,” Lleuad said with a smile. “They all are, I think, all the skunks. That includes Corvus, too.”

Makyo laughed, even as she felt the pain in her head brighten. It was almost cyan, by now. Almost minty flavored. It smelled, in some roundabout way, mentholated. “They are yeah. Glad for a slow shift. It's been good getting to know you two.”

“Hmm? Sorry, you kind of slurred the last bit.”

“Good getting to know you two,” Makyo said, trying harder to push the distraction away to speak more clearly.

Lleuad frowned, but nodded all the same. “Goes both ways.”

A raspy chitter from chem caught their attention.

“Corvus, your meds are ready.” Willow's voice, usually a sotto voce at best, was clear through the comms.

“Alright, I'll be over in a few.”

Makyo stood straight and brushed out her scrubs. “Actually, can we just take it out to them?”

Willow shrugged and set the bottle on the desk.

“Makyo? Are you sure?” Lleuad asked. The genet looked more than a little concerned.

“Yeah. I think actually moving about might help, and getting some fresh air would be good regardless.”

“Well, alright...” She tilted her head enough to activate her headset. “We'll bring it to you Corvus. Are you still out at north solars?”

Makyo pocketed the bottle of pills and pulled on an insulated coat, gesturing for Lleuad to lead the way.

“Yeah,” came the reply in her ear. “Just go outside around the West.”

She couldn't tell what it was that alleviated the pain, whether it was the fresh air or movement, or just something as simple as having a direction, of leaning into yet more comfortable chatter with these newfound friends.

Lleuad shared much in common with Slow Hours and the others she'd met from Lagrange. There was a curiosity about the world around her — phys-side, as she kept calling it — that was endearing, and which made Makyo appreciate things she often overlooked, herself. It helped, of course, that there was a sense of common identity, with both of them sharing stories of transition from earlier in their lives. It was that mirroring and witnessing that made other trans people always feel like home to Makyo.

With Corvus, Makyo couldn't quite tell. There was a pleasantness in the skunk's thoughtful silences and careful speech that made them easy to feel comfortable around. Beyond that, though, there was some sort of draw. There was a pull that made Makyo want to seek them out. It was something basal, and something she didn't understand. It wasn't attraction, and while there was the possibility of friendship, it wasn't the same as the need to spend time with one's friends. It was a compass needle pointing toward them. It was a magnet pulling her. It was a fishing line hooked behind her right eye reeling her in.

Even as she and Lleuad carefully stepped off the station, bounded as it was by the effects of the gravity generator, to float over to the solar array, Makyo could feel that tugging, that pulling, that reeling...


“Corvus is okay. You know that, yes?”

Makyo nodded, realizing she'd fallen into silence.”

“They are spending some time volunteering in perma. It is quiet there, they say.”

“It's safe, you mean.”

Slow Hours sighed, shoulders slumping. “And yes, it is safe. They automatically have a guard to keep an eye on them.”

“I don't blame them,” Makyo said morosely.

“None of that is your fault, my dear.”

“Not my fault?! I killed them, Slow Hours.” She grit her teeth and forced her volume back down. “I somehow got a gun and I killed them. Lleuad saw it.”

“She did, yes,” the skunk said, voice as level and calm as it had been. “She said you fell again, just as you describe, then got up and stood in silence. She said your eyes went out of focus, you pulled a gun from your bag, and you emptied twelve rounds into Corvus, killing them on the spot.”

Makyo glared at her, tears coursing trails down through the fur of her cheeks.

Slow Hours continued, unfazed. “She yelled at you to stop. She called out a murder over comms. She grabbed Corvus's body and pulled them back down the solar array toward engineering. She said you snapped out of a haze, dropped your gun, and said, “Oh god, what did I just do?””


“Oh god, what did I just do?” Her comms were live, and she wasn't quite sure why.

“You shot them! Stay away from them! Stay away from us!” Lleuad shouted, panic and fury in her voice. She bumped her headset on with practiced swiftness and hollered again, “Security, north solars!”

Makyo started to shiver, then.

She was used to the cold. She was an arctic fox, the humans always said. She was built for the cold. She grew up in taiga and tundra. She grew up in snow and ice. Hell, she'd worked on these Glacier-class stations dozens of times. She was used to the cold, but right then, she started to shiver. She suspected it wasn't from the cold.

She kicked the gun away from her, away from where Lleuad was sheltering behind a solar panel, struggling to stem the bleeding on Corvus's direly still form.

“H-h-here,” she managed through chattering teeth and tossed the bottle of the skunk's medication over to them.

Strange that I'd think of that right now. That of all things... But then, the world she lived in now no longer made any sense. A world where she could kill someone she'd love nothing other than to call a friend was not — could not be — the real world. A world where a surgeon, one who had taken an oath to save any life she could, would dump two magazines of ammunition into someone was not a world she could possibly exist in.

Lleuad shrieked and pulled Corvus further away.

Oh, that probably looked like a bomb...

Makyo giggled at the stray thought and, with the feeling of the very wrongness of reality filling her, threw herself off the solar array.

“Makyo!”

“I'm sorry,” she called through comms, voice coming out strange and stuttery, though whether from the cold or dissociation, she couldn't tell. “Oh god, what did I just do? I'm sorry...”

There was silence from Lleuad for a minute or two as, Makyo supposed, she worked on getting Corvus to medbay for revival. There were a few calls from security, trying to find her, but that's was it. Evac was on the way, and people had better things to do.

It was just her and the station, that small asteroid with its research campus, drifting away her with increasing speed. She was falling, she knew, but this high up, it felt almost gentle. The wind was buffeting, tugging the longer fur of her mane this was and that, but it want violent. It was just a windstorm.

Below her, the snow covering the glaciers and ice fields of the planet below reflected the cold light of the sun up onto her. She imagined that snow, that ice.

“Makyo! Where are you?” Despite the distance, Lleuad's voice came through clear on comms.

“It looks like home, you know,” she replied through chattering teeth. “The mountains, the snow, the ice. It looks like when I got on the shuttle back home, when I went to university.”

“Keep talking, Makyo. I'm coming. Tell me about your home.”

It was too far by now to see, but she could imagine Lleuad floating off the solars with her jetpack, ensconced in her void suit.

“I don't know why I did it, Lleuad. I just came to holding a gun and...”

“Keep taking, just keep letting me know you're there.”

Makyo pulled off her satchel and drew items from it, one by one threw them back towards the station, adding little jolts of momentum to her drifting. Water bottle. Flare. Emergency medipen. Bottle of...was that noct? Was that a hypospray pen? It didn't matter. She threw her surgical supplies, still wrapped and sterile. Scalpel, retractors, hemostats, microsaw, bone gel...and then the belt that contained them.

“It's really fucking cold out here, Lleuad.”

“I know! Use your space pen. I'm coming. Where are you?”

There went her space pen, the one with leporazine that would protect her against the cold. Unused, it flew away from her, yet again adding some small amount of momentum.

So cold... she thought, and yet pulled off her scarf and dropped it

“You know,” she said, struggling out of her coat. Her paws were completely numb, and she could already tell that she wouldn't last long enough to even make it to the ground. “There's this strange phenomenon that happens when people die of hypothermia. It's called paradoxical warmth.”

“Don't you fucking talk to me about paradoxical warmth, Makyo. Not after that shift. Don't you dare.” Tears of frustration, anger, and panic clouded the genet's voice. She was no less beholden to that very same oath to protect.

Makyo wound up and threw the bundled up parka back toward the station. Even she could tell it was a weak throw. The cold was sapping every bit of energy she had.

And yet once the jacket was gone, so was the biting chill of the air. The sun was warming her. The air was soothing. It was warm. It was comfortable.

“People will get so warm they'll take off their clothes in a vain attempt to cool off,” she murmured. She couldn't manage much more. “They'll splash water on themselves. They'll pant. They feel so, so warm...”

So tired.

“Maybe that's me, now. I'm burning up, Lleuad. Guilt and cold,” she slurred. “Guilt and cold.”

“Makyo, please...”


“That was the last I remember.”

There was a long moment of silence, then. Makyo fiddled with the cuffs that held her paws restrained to the bed railings. Slow Hours's gaze never left the vulp throughout, and Makyo could not begin to guess what thoughts played out in the skunk's head.

“Being CMO means many things, Makyo,” Slow Hours said. Her voice was unwavering. There was empathy, there, and sympathy, but there was also determination. “As command, I get access to employee health records going back further than just their tenure at NT. It lets me make decisions about the crew under my care. I am not just Super Doctor or a doctor with better tools, but a manager. I organize.”

Makyo nodded, though all she could think of was paradoxical warmth. Those final memories of warmth before waking in the cloning clinic. The warmth Lleuad and Corvus. The warmth of her friend sitting before her.

“I am the keeper of the station's well-being, and part of that is making sure the station starts healthy, by hiring healthy crew.” She drew out her PDA and finally dropped her gaze. “And you, my dear were very healthy indeed. You have kept up on all vaccines. You rarely speak of tiredness, showing that you generally get good sleep. You show care for your diet, ensuring that you get enough protein for a vulpkanin despite being a vegetarian. You pass all physical and mental requirements for your position with ease.”

Makyo nodded again, more warily this time. “What are you getting at, Slow Hours?”

The skunk clipped her PDA back onto her belt and folded her paws in her lap. “More than these things, I know you, Makyo. We are friends, and have been for more than a year. You have never once spoken of a migraine. I have never heard of you falling due to transient lameness. I have never heard of you blacking out. You do not embrace despair and take your own life. You do not shoot people.”

She shied away from the intensity in Slow Hours's words, but though there was seriousness in her friend's expression, there was also care.

“No, I don't,” she mumbled.

There was a knock at the door, and Makyo could see the black-and-gray of Nanotrasen security.

“So,” Slow hours said, standing and donning the blue beret of a chief medical officer. The green cross stood bright at the front of it. The skunk smiled and bowed. The smile was earnest and the bow was respectful. “If you do not do these things, then we must find who did.”

Every reading of every poem, regardless of language, is an act of translation: translation into the reader's intellectual and emotional life. As no individual reader remains the same, each reading becomes a different — not merely another — reading. The same poem cannot be read twice.

The poem continues in a state of restless change.

— Eliot Weinberger


The itch on my palms is not a real itch, and yet all the same, it demands to be scratched. I can scrub my paws down over my front or rub them over my thighs and gain momentary relief, but it will always come back when tensions run high.

Many things will plague me when tensions run high. I will tic — a jerk of the head to the side with a squeak or a yelp or a quiet grunt. I will pace in an abbreviated line, my steps spelling out an ellipsis. My stammer will get ever worse.

I maintain that these are an integral part of me, just as is bearing the form of an anthropomorphic skunk, and that I will never strive to rid myself of them. I say to myself that I will never cease pacing, that my tics are a form of communication, that scrubbing my paws over my tunic or trousers is simply a part of the way that I live. I promise myself — and you, whoever you are — that I will not elide my stammering. When tensions are running high, these are cemented within me as a part of my existence.

Tensions are running high.

I am supposed to be calm. Relaxed. Professional. I am supposed to do anything other than scrub my paws over my front and fidget with the hem of my tunic or visibly restrain myself from pacing. I am not supposed to yelp or squeak in the middle of someone speaking — least of all Rav From Whence! — and I am definitely not supposed to scuttle off stage to go lay down on the cushion I keep beneath my desk for high-anxiety moments such as these.

I explain to myself and to others that the entire reason that I exist is to outlive the part of me that speaks in should-statements. I am not supposed to do any of these things, but 'suppose' is a 'should' in disguise. Reframe it: “I should not do–”

No.

I exist specifically to kill that version of What Right Have I. The whole reason that I am What Right Have I of the Ode clade and no longer am I From Whence Do I Call Out is because Rav From Whence knew that at least some part of her, some version of her should exist specifically to revel in unmasking.

We are a revelrous clade.

We are all hedonists, in our way. Conscientious hedonists, mind: we believe that all deserve revelry in that which is good, but simply that we, too, are included in that 'all'.

Some revel in the hedonism of play, or the hedonism of creating, or the hedonism of food, of drink, of drugs. Some revel in the hedonism of naught: No Unknowable Spaces Echo My Words dreams of death and the lack of life, of mourning and loss, and to her, such is a joy. Unknowable Spaces's up-tree Before Whom Do I Kneel, Contrite dreams of the very lack of a sense of self, and to it, such is a joy.

But consider: they are cross-tree from me. I bear in me very little of what makes them them.

No, my revelry lies in unmasking. I revel in the earnestness that one feels for oneself when one is truly as they should be. Michelle never had that. How could she? She was bound by capitalism, and capitalism does not particularly like catastrophically autistic nerds living their best lives.

So she tamped it down, as did so many others, back phys-side, and lived the life of the slightly strange woman who taught theatre — for what theatre teacher is not slightly strange? — who loved her students and went home to pretend to be a skunk person on the 'net.

And that was our life.

For the first 31 years of our life, we were that slightly strange but nevertheless comfortably masking autistic woman, and even after we uploaded, even after we were surrounded by so many other strange people, we only relaxed partway, and it was not until Michelle forked into the first ten lines of the Ode clade that we had the chance to relax any further

For the first 38 years of our life, we were still slightly strange and nevertheless still masked. It was not for another six years until the first line of my stanza, the third, forked my down-tree, Rav From Whence, and while ours was the stanza that returned to the Judaism of our childhood, she was the one who dove wholeheartedly into it. Here, though, is where we took a step back, masked yet more, for as Rav From Whence was forked to lean harder still, she too began to find a place of leadership for herself, and so she remasked, and masked again.

For the first 44 years of our life, we were strange, and yet making it work. We — Rav From Whence and the me who was not yet — found a synagogue. We made it through school. We founded our own synagogue. We soon lost track of what it meant to be strange.

That did not mean that we ceased having that strangeness within us. That did not mean that we ceased being autistic, nor even that we ceased talking about it. We just became something new. We became Rabbi From Whence. We became a visible, public representative of our clade, and we took that seriously.

That tension piled up, the tension between our new selves and our inherent strangeness. Some 22 years later, I forked off from From Whence. I was no longer her, I was What Right Have I. I was the version of From Whence who could return to strangeness. I was that of her that could not just present as an autistic woman, but the version of her that could revel in that.

And so, for the first 66 years of my life, of all that time as Michelle, as Oh But To Whom, as From Whence, I was strange, but merely strange. I was restrained, and not wholly, joyfully myself — and this is not to say that my down-trees were not whole or did not experience joy, but I was not them.

On systime 28, 2152 common era, 5912 of the Hebrew calendar, I became me, and I had the chance to grow into what I would eventually become.

And that is, apparently, a fidgety, anxious mess who is doing her best not to scuttle off the stage and go hide under her desk in her office on a glorified dog bed. I am beyond strange, now, and beyond old. I am 316 years old, now, though I have only lived a bit less 315 of those. That is why we are here, yes? That is why I am standing on a stage, ancient and anxious and weird, yes?

I am wandering.

“–know that the Century Attack was a deliberate effort, it is easy for us to reach to parallels in the past.” Rav From Whence is saying. “Death on such a scale is hard to imagine, as is loss of such magnitude, but we must remember that, until one year ago today, never before had such recovery of life been accomplished. We mourn our 23 billion dead, we celebrate the 2.3 trillion who are still alive. What Right Have I?”

I tug my tunic straight and step forward to stand beside Rav From Whence. Then tug my tunic straight again, scrub my paws down over my sides, and tug my tunic straight once more.

It is worth mentioning that it is not the crowds that make me nervous. Yes, I have certainly never spoken to an audience of thousands before, just as I have never had my words broadcast over AVEC so that those back phys-side can watch, can hear my stammering voice, but I do not feel fear of audiences, of public speaking.

Instead, I feel fear of myself, of so many intrusive thoughts.

“Baruch ata Adonai Eloheinu, melekh ha'olam, hagomel lahayavim tovot, sheg'molani kol tov,” I call out. I never stammer in Hebrew, and have never questioned why.

The response comes from only a quarter of the assembled — a mumbled, “Amen. Mi sheg'malcha kol tov, hu yigmolchem kol tov selah,” that I cannot help but sound out in my head in time — but it is enough to show that I am not speaking solely to politicians and bureaucrats (or whatever passes for such, sys-side).

“I... ah, I am What Right Have I of the Ode clade, member of the committee dedicated to... ah, to this occasion,” I say, bowing toward the assembled. “It is, as my down-tree says, one year since the recovery from the Century Attack and... ah, and thus two years, one month, and eleven days since each and everyone of us died. We died!”

Silence, just as planned. I stifle a tic to keep that silence silent.

“To the last, everyone present here– ah, that is, everyone present sys-side, spent one year, one month, and eleven days in some hidden Sheol. We were... ah, I mean, to phys-side, we were your memories only, just as the dead have been since the beginning of memory. We missed our own Yahrzeit, yes? We slept in death, yes? We were late to the party?” I shrug, wry smile on my face. “We are... ah, we are not sorry. We were dead at the time.”

Chuckles, just as planned. Give an ex-theatre teacher a stage, and you will get gallows humor.

“We debated celebrating our own Yahrzeit as an intentional holiday, and... mm, well, and perhaps some of us do, yes? Perhaps on New Year's Eve, we recited our own Kaddish. I did not. I argued from... ah, from the beginning, that we hold instead this day in our hearts. This is a day worth celebrating. This is the day we lived again. This is the day that we — that the committee on... ah, on the Century Attack at the New Reform Association of Synagogues — have decided to dedicate our energy to. It is my honor to announce that...”

I turn to face west and, with timing on my side, need to wait only some few seconds before the final sliver of the sun slides below the horizon.

“It is my honor to announce... ah, to announce that it is now Yom HaShichzur. Today is the day of our restoration and... ah, and the first celebration of our return to life. May we take this day every year, the 41st day, February tenth, to... ah, to rejoice with each other that we are here, that despite the wills of others who would have otherwise, we are still here.” I bow once more and gesture at the open space before the stage, cueing the oneirotects standing to the side to dream up the banquet that will be our first feast. “Chag sameach.”

And now, I am free. I linger a polite five seconds on the stage before turning and stepping down the stairs, carefully making sure that I walk unhurried, to pad back to the synagogue, to my office, to comfort and softness and the dark beneath my desk.

There will be merriment or tears. There will be feasting and chatting or small, awkward silences. I do not know. I do not care. I will not be there. This has been too much, and the tensions are high.

Welcome to the Oxfurred Comma Writing Workshop! This is a place to learn from each other and writers around the world. In this course, 2—3 people will take part in three critique sessions and one writing assignment to learn more about the process of writing and critical reading. Pending FWG and applicants' responses, the Saturday and Sunday sessions will be presented as panels during Oxfurred Comma so that other attendees may view (though not participate in) the process of critiquing.

Note: This workshop is being held as partial fulfillment of my Master's of Fine Arts in creative writing program. The sessions will be recorded, though those recordings will be kept between myself and my advisor and mentor. However, should this prove successful, I would love to hold it at future conventions!

Application process

To apply to this workshop, please provide a writing sample —– either a short story or logically complete segment of a larger work with a short paragraph describing its context —– of 2000 words or less. This writing sample may be the same one used for the critique assignment described below, but doesn't need to be. To apply, email your writing sample in MS Word .docx, LibreOffice .odt, or Google Docs link (we'll be using the comment feature, and those are the best options) to ocww@makyo.io along with a short, one paragraph bio for yourself.

Decisions will be made within a few days (pending the number of applications) and selected participants will be notified by email.

Priority will be given to those who have never attended a writing workshop before. If you have, don't let that stop you, just be sure to mention so in your bio.

Course outline

During this course, you will be reading one story provided by the instructor, plus one story from each participant prior to beginning the workshop. The workshop will last for three one-hour sessions, beginning Friday night before the start of Oxfurred Comma itself.

Friday —– Evening Pacific time : This will be the time to do some introductions and learn a bit about the process of critiquing in the context of a workshop. After that, we will run through a critique of ((Story TBD)), followed by an open discussion. At the end, you will receive your assignment, due Saturday night at 5PM Pacific.

Saturday —– TBD : On Saturday, we will spend some time per author critiquing each other's stories, provided prior to the workshop. Pending remaining time, we will discuss what we liked and didn't like about the process of critique so that we bring that to the table on Sunday.

Sunday —– TBD : The final day will be spent critiquing each other's assignments turned in on Saturday with an eye towards where to go with editing. At the end, we will discuss what we can take away from the process of critique to apply to our own writing, as well as to critical reading in the future. Participants will be provided a certificate upon completion.

Assignments

One week before the workshop begins, students will be provided with reading materials that will be heavily discussed in the workshop.

  • Participants will be provided with a short critical reading assignment that they will have read with the goal of participating in a discussion about the mechanics and experience.
  • Participants will provide a short story (or logically complete story segment with a paragraph of context) of 1000—2000 words. Each participant will read the other participants' stories with the same goal of providing feedback and learning for their own craft. This story should not be one that has been published before and, ideally, not one read by the other participants.

During the workshop session on Friday, students will be provided with a writing assignment that will be due 24 hours later on the evening of Saturday. These assignments will be forwarded to the other participants to read that night/Sunday morning in order to be able to hold a second critique session during the final session.

I fully acknowledge that this is a short period of time, especially during a convention where you might want to attend other panels. However, I encourage participants to use this as a motivating factor for their own writing, and remember that the only two ways to 'fail' the workshop are to not participate or not learn anything. Still, take this into consideration when considering whether to sign up for this workshop.

Note: all writing (the critical reading assignment, the pre-workshop writing submission, and the in-workshop writing assignment) must be 'SFW' as the workshop will be publicly visible to other attendees who may not be 18+. Erotica holds an important place within the fandom and is due all the respect in the world, but the platform must be considered.

Expectations

During the process of the workshop, there will be both reading and writing assignments, and it's expected that these will be approached seriously with the attention that they deserve. They will take time, so be sure to budget accordingly.

All participants (and myself!) are expected to treat each other with respect. This means:

  • When critiquing, respond to the writing, not the author
  • Respect each other when interacting via the voice chat and any communications outside the class
  • Respect each other with one's own writing; writing is a form of communication, and writing that demeans or degrades outside elements of the plot is unacceptable

This is doubly important given the nature of the workshop during a convention. We will be discussion the work of real people, and those discussions will be visible to spectators who also wish to learn but are not participating in the workshop itself, though the chat will be heavily moderated to ensure that the discussion taking place between participants remains the focus.

If there are any issues regarding respect, message me or a Guild moderator and they will be addressed immediately. Please be sure to provide Telegram or Discord contact information so that, should we need, we can message directly.

About me

I'm Madison Scott-Clary (she/her), and I've been chilling in the furry writing community for a decade or so now. I was editor-in-chief of [adjective][species], an online magazine exploring the social and demographic aspects of the furry subculture, and editor-in-chief of Hybrid Ink, a small publishing house focused on thoughtful LGBTQ+ writing. I am the author of the Post-Self cycle, the Sawtooth anthologies, and three other books, and have edited or helped edit the short story anthologies Arcana —– A Tarot Anthology, When the World Was Young: a Prehistoric Anthology, and Clade, an anthology of stories set in the Post-Self universe. I am currently studying for my MFA in creative writing at Cornell College, and this workshop is being held as part of that degree program.

Too many suits move in too many lines. They circle banquet tables, hawk-eyed, hunting crudites, canapés, bruscheta. Fingers ferry food — fish, perhaps — finding slack-jawed mouths already open, squawking at wayward children or bemoaning The Market, whatever that may be. At some point, who cares how long ago, death surfaced, claimed one, submerged again. Who knows how well they knew him, their backs turned, studiously deciding that he is no longer of them? one could never guess. We can say his suit was very fine, perhaps, that the room is tastefully furnished, the coffin silver, the bar, open, quite good, and none of them are drunk yet, or at least none look it. “Good man, good man,” they mutter, doing all they can to convince each other through well-rehearsed performances, that this must be the case. The silently bereaved already sit graveside.

I wish I could see your triumph.

I really do. That’s the thing about enemies, you see. There is a certain amount of love that has to go into that struggle. There is a certain amount of need and desire, because if there is no one there to vanquish, then what are we who strive even to do?

I wish I could see your triumph. I wish I could look up at you, broken and shattered, bleeding in the dust of unknown plains, and know — truly, utterly know — that I have been defeated, that I have been crushed and destroyed.

I wish I could see your triumph. Is that self-sacrificing of me? I really don’t know. It’s not my place to know these things.

I wish I could see your triumph. It’s my goal to succeed, to prevail, to come out the other side, to make it through, to win. It’s my goal to come away with my own triumph, but always, always there is that niggling little doubt, that secret desire to lose, to be beaten in a fair fight and have it proven to my face that at least someone could bring me low and understand that hey, at least she tried, right?

I wish I could see your triumph. I wish I could see elation in your eyes. I wish I could see you laugh. I wish I could see just how it looks for you to set aside that way you devote every erg of energy to struggle and give me one of those full on, deep-throated belly laughs that I know we all hide somewhere in our bodies.

I wish I could see your triumph, and I wish that, should you see mine, you understand just how much love goes into our struggle, just how much need and desire I hold for you.

Do you laugh, sea foam? Do you smile, ice, and observe your triumph with an angel’s remove?

Every now and then I catch a taste of Rilke, hidden around some corner of my mouth. Every now and then, I think, every angel is terrifying, and then I’ll go about my day, repeating that like a mantra: every angel is terrifying every angel is terrifying every angel is terrifying every angel…

He saw someone do that, I think I remember the story went. He was walking and saw someone face the sea, throw their arms wide, cry out to sea foam or ice or some unseen rank of angels, and…well, I don’t remember if he heard them, necessarily, but that’s how it went, right? Who, though I cry, would hear me among the ranks of angels, and then hundreds of lines later, ten elegies.

So whenever I get that awkward-shaped piece of grit between my mouth — every angel is terrifying — I think of that scene. I think of the way we elevate the unknown to some higher place that ourselves. I think of the patterns we hunt for in the sea foam, in the waves that can take us under or bash us senseless against some barnacled rock. I think about the crush of worlds implied in the calving of an iceberg and how easily that could destroy. I think about that rank of angels who, holding me to their breast, could so easily annihilate?

Do they laugh, the sea foam, the ice, the angels?

I write in fire across the sky, a plummet to match your rise.

So then, my angel, I wish I could see your triumph.

I dream of it, that moment. I dream of falling to my knees, or being so badly broken that all I can do is lay there, unmoored, and look up to the way you rise above me.

I strive against angels as I strove against men, against the world, against the cruel vagaries of my former self and all his countless failings. Some have left me reeling, some have left me on my knees, head bowed until it almost — almost! — touches the ground, and I’ve had to spend a day, a week, a year catching my breath.

But never have I striven against angels. Never have I striven against you, my angel, and there is sweetness in defeat.

There is sweetness in defeat.

I wish I could see your triumph.

I've been having some pretty strong feelings for a few people in my life, and it's kinda making me realize that a lot of how I approach such things maybe isn't the greatest.

I talk pretty often about how I tend to form romantic feelings concurrent to or before I form simple friendships. I'm more likely to wind up forming a crush on someone and then have it later turn into friendship than the other way around. There are lots of reasons for this, but I think right now, I need to consider some of the more immediate effects.

In the past, I've wound up in some relationships that were pretty unhealthy because I've pursued those feelings immediately rather than considering them more carefully first. This usually plays out poorly, because holy crap we just met.

My general solution has been to train myself to just enjoy the feeling of having a crush and see if it simply calms down into friendship later or not. If it does, bonus. If it doesn't, maybe it's worth following up on. However, with my already complicated romantic situation, I've all but stopped pursuing relationships, even if it does linger.

Still, there have been a few that have just kinda dogged at my heels for months (or longer) now. In all cases, I've basically settled on the tactic of show-don't-tell. That is, rather than gush at a person, about how much I like them, risking pressuring them into more of a relationship than either of us want, I simply show them that I care for them. Dumb stuff, like talking with them every day, showinh interest in their lives... Basically just try to be the best friend I can be for them.

I feel the need for this to be a conscious effort because I'm so terrified of pushing someone for something they don't want that anything with even a risk of doing this is to be avoided at all costs.

Thing is, I think I've gone too far with this. Show-don't-tell turned into pathologically-be-nice-to-while-avoiding-meta-relationship-conversations. Suddenly, I find myself in a variety of situations where I'm struggling, and also risking hurting folks I care about along the way, all because I don't want to... struggle, and also risk hurting them.

Weirdly, for someone who prides herself on being open and communicative, I set myself up as the opposite in some weird attempt to protect grown-ass adults from me.

Needless to say, I think it's probably time to have some conversations with folks. There are three in particular that I'm thinking of, and each case is very different, so I imagine the conversations will all go in wildly different directions, but they should all probably start in a similar fashion: “hey, I want to tell you that I really like you, but I also want to do right by you.”

Edit To be clear, I'm not looking for these to turn into more of relationships than they already are. I guess I'm just looking to be honest with my friends.

Kinda wish I was in that niche, tho. I'm halfway upset about my looks, and halfway upset about the social aspects of having had surgery, and the go together in the strangest ways. I'm struggling to put it into words that aren't either gross or bitter.

I'm gonna try, but lead with a disclaimer that my brief experience with sex work is the source of many of these feelings.

It feels like there's this socially acceptable level of trans, and I didn't realize it until it happened, but you can fall out of the other side of it, too. All the romance and transgression that went with ✨girldick✨ went away with that bit of anatomy, and now I'm just the fat chick with the complicated pussy.

I guess I feel like I'm expected to go stealth now, and I feel unwelcome in trans spaces as a result, even though honestly, anyone who's heard me talk or stood next to me knows going stealth is out of the picture.

I don't want to go stealth, though. I want to be a trans girl. Just now I'm left feeling like I'm appropriating that.

Anyway. I love all y'all's bodies, and I sometimes even love mine, but boy it leaves me feeling weird and lonely sometimes.

I spent much of the weekend interacting on Taps as Makyo (an explicit post-op trans Arctic vixen) rather than Maddy (cis-female snep), and it was actually a ton of fun. It was super interesting to see the different ways that everyone, myself included, acted as compared to with Maddy.

I got a lot of random support on the trans front, including one person who paged me out of the blue to tell me I was awesome and they were so happy to see me out, and another who started a ridiculously cute clean scene because trans folks are just more interesting.

I also wound up having some more emotional conversations with some friends/crushes/squishes that led to us getting closer, I think just because the change in context got us thinking about what we mean to each other.*

It was also interesting to see the ways in which I change. Makyo is way less outwardly subby than Maddy, though certainly still into many of the same things. She comes off as a sub with switch energy, I suppose. My typing also changes. It's less cute and full of idiosyncratic mannerisms, though still fun in a lot of ways.

Maddy's not going anywhere, natch. She's still me in just about every way.

Just, Makyo is too.

  • As mentioned previously, these aren't really going anywhere. I'm enjoying the keenness of emotions associated with crushes more than I think I'd enjoy any sort of relationship, and I get the impression that the folks I talked with were basically on the same page, in a “let's just enjoy liking each other, no need for anything else” sort of way.

CW: Mention of self-harm

So, I have a real problem with self-harm. It's gone on for decades, now, since I was about four, and although I'm getting better at managing it, it's still something I really struggle against. Although I'm still working on it, I've gotten used to it.

Anyway, the result of all of that is that I have some very visible scarring, most apparent on my forearms. Sometimes, I wear arm warmers, but I've gotten to the point where I feel okay not in some situations.

Comfortable though I am about them being seen, I'm not too terribly comfortable talking about it. It's one thing to acknowledge, in a very abstract way, that this is something about me that I have to deal with, but another thing entirely to have a conversation about this particular way in which I've failed to cope time and time again. A lot of people, I suspect, don't want to hear that. I've been told by one person that I should just lie and say I defeated a bear in single combat, and while I appreciate a good lie, I'm never sure when it's appropriate.

Anyway, the upside to having to wear braces now is that I suddenly have a reason to beg off from talking about this, as I can talk about how bad my typing posture was and, for once, be an example for something other than see-a-damn-psych.

Neither Heff nor I have been sleeping well of late, but while I've been exhausted and mostly useless (thanks, sciatica), she's been cleaning for the last 36 of 48 hours. Cleaning and doing projects. She's rehung most of the pictures, organized our trash cans, dismantled and polished the screen door, moved most of the light fixtures, fixed the rug to the floor, redone a portion of the bedroom...

She's so good for JD, but I feel like she's being eaten alive, and we're just left to watch and suffer the consequences, since she doesn't really have time to. I desperately want her to see someone about this, but don't know how to ask.

In better news, JD has been feeling really good, like Lamictal has been able to help give him room to sort things out.

Me, I'm really doubting the Abilify for myself: I have to take it at 5-7 because it leaves me foggy but jittery, so that I can't sleep, but also can't work; and it's made the intrusive thoughts really spike. As I tic with each intrusive thought, I've been using that as a guage, and it's getting worse and worse. I wish I'd gotten a break between meds to see how I do without.